Filming plans and storyboarding

I've now made plans with my friend to film this week. I've checked the time the sun sets to try and find the ideal half hour slot where there will be enough light to have a good image but it will look effectively dark on camera. We've now developed a much more detailed and cohesive storyboard/shot list of this main part of the trailer so we can take this with us, and know which shots we want. I've included a photo of each location the shot will be filmed at and a short description of the shots we have decided on. This is a useful tool, particularly with the limited filming slot we have.

Shot 1: A reveal shot that will pan up from her feet walking to show her entire frame walking into the alley

Shot 2: A close up will show her looking behind her (scared and worried) as if looking for someone

Shot 3: A mid length shot showing her once again looking behind her into the alley and beginning to run

Shot 4: A mid length, low angle shot of her running towards the camera (almost into it)

Shot 5: A mid length tracking shot of her running along the path

Shot 6: A close up, low angle shot of her feet running along the path





Shot 7: A mid length shot will show her running across the camera past the fence

Shot 8: A point of view (POV) shot of her running towards the alley

Shot 9: A mid length shot will show her running into the alleyway

Shot 10: A mid length shot showing her running out of the alleyway at the other end

Shot 11: A mid length shot will show her running out of the trees and track her to where she hides behind one

Shot 12: An extreme close up will track around the tree to focus on her with her eyes shut, when she opens them she screams

(The only shot not included on this storyboard we have decided to film on this shoot, is a shot of the protagonist character being watched through her bedroom window)
We've used a combination of mid range shots which are effective to show the settings and environments of each shot, as well as close ups for emotional effect and personal connection with the character. Some tracking shots are included to add a sense of pace and speed to the chase. The POV shot we used to try and include the audience and put them in the characters position which is an effective audience gratification.

As well as some of these I will experiment with anything else that seems like an effective idea on location. However when I review the filming the shots used may be subject to a change in order depending what looks most effective, but it will probably remain quite similar to our storyboard.

Film poster research

Now that I've seen some locations and we've decided on our protagonist, I've been thinking about some ideas for our film poster. However, we've decided not to create our poster until after the trailer is filmed; this is a precaution just in case our actress pulls out or we find a different location or style to the trailer, as we know with this sort of project, it can be subject to drawbacks and change. So instead I've been researching film posters to see how they market the film in one still image and create high impact and brand continuity in one image as most people will only pay very short attention to a poster, so its important to convey the mood and tone effectively in the images chosen.

I decided to look at the film poster for the film Taken which I used as trailer research earlier, as it has similar themes to our own film and this way I can see the use of continuity between both elements of the campaign.

The primary optical area of this poster would seem to be the main character placed in the foreground holding a gun prominently in front of himself. The star appeal of this famous actor will create an initial recognition for the audience and those who like this actor will be intrigued to find out more. The gun is also used to connote the theme of danger and the action/thriller genre in a simple but highly iconic symbol. This is effective on a poster to convey the desired theme and genre in a simple image. The stance and facial expression of the characters are also important, in this case the stance is strong and determined reflecting the characteristics of the character and their role in the film. The facial expression supports this as its hard and stern, conveying drama and intensity. The title is also placed prominently in the foreground in a bold and solid font which once again connotes strength and power and ties in with the style of the poster. The steely, grey colour scheme is very strong and creates an impact and strong tone to the poster. Without the use of bold colours the attention is all focused on the primary optical areas and important visual tools to create an effective still image which captures the essence of the film. A sense of brand continuity is created between the trailer and poster as similarly to the poster the trailer doesn't use bright, bold colours or overpowering music but instead also uses bold, strong and effective shots and images to convey the powerful, strong tone they have created across the marketing campaign.

From looking at this poster and some other ones from the action/thriller genre, I've found generally the most important visual impact comes from the characters and their facial expression and stance. The background is then made up of smaller shots of the film, an appropriate scenery or just a basic colour palette.

Storyboarding

We've recently been developing our shot ideas and initial storyboard and created a very basic electronic storyboard template on Microsoft Word to create a more developed and structured storyboard for our trailer. Using this template we've discussed our initial shot ideas and developed these into a sequence.


Now we have a more developed idea of our plans, I have contacted our main actress and we have arranged a time to film this main bulk of the trailer. We briefly discussed costume, but as we want to make our trailer look authentic and follow the classic Hollywood realism popular in Western cinema, she will just be wearing plain jeans, causal shoes and a plain coat.

Locations

We're now starting to develop a fuller storyboard and establish filming plans so I've spent the last week contacting my friend who is studying performing arts at another college and I knew would be happy to feature as the protagonist in our trailer to begin to organise times to film.

As well as this I've been looking around some potential locations to film the main bulk of our trailer which is the protagonist being chased. We think that a combination of both urban gritty locations and rural settings would create a variety of interesting shots, and present the idea of missing persons cases spanning all areas and settings across the nation. Urban settings can carry connotations of gritty, hard and harsh environments, whereas a rural setting can symbolise a quiet, lonely and mysterious environment, both extremes of which would be appropriate to present an eerie, creepy and appropriate setting for our action/thriller chase. We have already decided on some appropriate locations we'd like to feature in our trailer:
An alleyway- urban alleyways are commonly featured for 'stalkings' as they're dark, mysterious and carry the appropriate connotations.
A wood- Similarly this location is eerie and mysterious creating the desired atmosphere for the thriller elements of the trailer and adding variation to the other urban settings such as the alleyway.

I've been looking around various potential locations in the local area and having looked at the photographs I took we've selected the most appropriate location. There was both wooded, rural areas and built up urban alleyways and other appropriate places within quite a small vicinity. Which will hopefully cut down the filming time, as we need to film it all at twilight to have it dark enough to look effective, but light enough to have a clear and quality image. Without having to waste time travelling between locations, I'm optimistic we can achieve this.

These are the photos I took when scouting out locations. As this seemed to be the most promising I went back in the semi-darkness we have decided to film in to create a more appropriate and scary ambience, and took a second set of photos to ensure the locations would be appropriate in the darkness and they have come out very well, so we've settled on this area to film this main part of our trailer.











This wooded area was the most appropriate as it had both dense wood and more spread out mature trees which were both easily accessible at the edge of the wood. The dense woodland seemed the best option to create an eerie filming location but from my dark photo, the more spread out trees seem more suitable as the limited light means the dense wooded are would be much too dark to capture a quality image. So we've chosen this less dense woodland as a filming location











This location offered both the urban alley we had planned to feature but also this wooded alleyway which will add variation to the shots, as well as offering another appropriately creepy and eerie location to build the dark, mysterious tone we are hoping to achieve for parts of our trailer.













This more gritty and urban looking alleyway with broken fencing and mismatched panels is appropriate in presenting connotations of a harsh and hard environment as well as the obvious connotations an alleyway can present that are eerie and creepy, which is the effect we'd like to create with this shot.











Now that the main practical components are organised, we're free to seriously begin to plan filming and also to think about creating a poster and magazine image using the same girl, to create a strong sense of continuity, which is vital in advertising campaigns to achieve a recognisable brand identity.

Trailer research continued

I found a film that has a very similar plot and influences to our own text synopsis. The film is called 'Taken' and I decided to look at this in some detail as it should share some conventions with our own ideas and may offer some influences and ideas as to shots and transitions we can use in our own project.

(to watch with sound, click on below hyperlink)
http://www.screenrush.co.uk/video/player_gen_cmedia=18824936&cfilm=126169.html

One particularly effective use of editing in this trailer was the transitions between shots and the arrangement of shots on the screen. It uses a white flash in-between footage to create a very abrupt jump cut and a significant change to build excitement and to create a fast action tempo. It may also connote the flashbulb of a camera or clinical lights which can all be associated with crime scenes and connote danger. I thought this was a very effective transition. The arrangement of more than one shot on the screen at a time creates continuity and narrative and also builds excitement and adds visual interest. Many of the shots include high action scenes to create interest and heighten drama, but in addition many close ups and extreme close ups are included to build an emotive connection between the audience and the actors and establish a personal interest in the story and a bond to the text, thus encouraging them to want to watch the film. The use of emotive dialogue taken from the film further strengthens this interest. One particularly effective shot similar to one used in the Bourne Identity trailer I analysed is a shot through a peep hole in a door to see the barrel of a gun in the shot, this builds tension, drama and excitement and connotes danger with this very iconic symbol.